To read more please visit Somos Escritoras.
Watch the informal conversation between Dr. HInojsa and Dr. Téllez where they discus cooking, history, music and Chicanx research!
To celebrate the fiftieth anniversary of Aztlán: A Journal of Chicano Studies, CSRC Press is making available to the public three essays from the Spring 2020 issue.
Essays in the issue explore the impact of affirmative action on the Chicano movement, the reinscription of La Llorona in works by Gloria Anzaldúa and Sandra Cisneros, symbolic networking among sonidos in Chicago's baile economy, and political opposition in the poetry of Javier Huerta.
In the dossier section, curated by Michelle Téllez, writers, poets, and artists reflect on fifty years of Chicana feminism.
This fiftieth anniversary issue also celebrates the work of LA-based artist Judithe Hernández, who created the covers and illustrations for the earliest issues of Aztlán. In the editor's commentary, Charlene Villaseñor Black looks at these works and discusses Hernández's vital role in shaping the journal. The cover and the artist's communiqué feature some of Hernández's recent works.
Learn more here.
Dr. Téllez was an invited Speaker to the “Gender, Labor, and Migration” Symposium hosted by the Center for Work and Democracy, School of Social Transformation at Arizona State University in Tempe, AZ.
#NWSA2019's first plenary: Centering Resistance, Animating Movements. Join Moya Bailey, Michelle Téllez, Lateefah Simon, and Noura Erakat as they discuss the feminist, queer, trans, economic, disability and racial justice warriors who have been at the forefront of movements for social change and how feminist engagements have animated and informed movements for transformation in local and transnational spaces. Find this on the conference schedule through here: http://bit.ly/nwsaconferenceprogram
From the award-winning writer of Your Healing is Killing Me, blu, The Panza Monologues and Barrio Stories, Virginia Grise returns to Tucson with a new play about the destruction and displacement of a Mexican-American community, roaming dogs, quarantines, earthmovers and ancient voladores: Their Dogs Came with Them. Adapted from the novel by Helena María Viramontes, the play ascribes new meanings to gang life dramas, gender queer identities, and Chicana/o/x coming of age barrio tales. Much like the structure of a freeway, the lives of four youth intersect and intertwine, unearthing stories about the effects and aftereffects of the Vietnam War, displacement, and state violence. Tucson, where the most diverse and densely populated neighborhoods were destroyed to create the Convention Center in the late 1960s, is an ideal site for a play that asks its community to consider how decisions around city planning and urban development impact everyone. Borderlands Theater, in collaboration with a todo dar productions, is producing this site-specific performance October 18-20, directed by Kendra Ware and aptly staged underneath the I-19 freeway in South Tucson.
Dr. Michelle Téllez will be playing Tranquilina and Grandmother Zumaya, read more about creative team here.
This transdisciplinary symposium, organized by the Center for Human Growth and Development (CHGD) and the Institute for Research on Women and Gender (IRWG), will focus on the growing tensions between mothers’ well-being and the increasing demands of child-rearing.
This event will further the scientific understanding of these tensions, recognize and explore how they appear in differential and discriminatory ways, and identify key knowledge gaps and opportunities in research that could inform practice, policy, and advocacy to promote the well-being of mothers, children and families.
More details see here.
Local authors and activists Naomi Ortiz (author of Sustaining Spirit: Self-Care for Social Justice) and Michelle Téllez (co-editor of The Chicana Motherwork Anthology: Porque sin madres no hay revolución) discuss how staying rooted in your culture helps women of color thrive and build resilience in activism, self-care and motherhood.
Moderator: Dominique Calza
Sunday, March 3 1-2pm (followed by book signing)
TACONAZO! with Mono Blanco
Son Jarocho Collective in Arizona
This summer Dr. Téllez spent 4-weeks as faculty lead for the Vivir Mexico Study Abroad Program through the Guerrero Center, the Department of Mexican American Studies and the Global Experiential Learning Program at the University of Arizona.
InterActions, the UCLA Journal of Education and Information Studies, and the Center for Critical Race Studies will host “Visions of Justice & Liberation: How Do We Get Free Through Education and Technological Practices?” on May 18, 9 a.m. – 5 p.m. at Campbell Hall, Rm. 1101. The symposium will include keynotes by Edxie Betts, a multiracial and trans artist, activist, and cultural producer, and Michelle Téllez, assistant professor of Mexican-American Studies at the University of Arizona.
El Tambó Fest, Night One: First-Ever Cumbia Summit of the Borderlands kicked off on April 27, 2018 at Hotel Congress. The event was part of the annual Agave Heritage Festival which explores and celebrates the cultural, commercial, and culinary significance of agave on the border region through a festival of seminars, trade shows, and world-class culinary events. The evening began with a panel discussion of cumbia artists and was sponsored by Southwest Folklife Alliance and CALA Alliance (Celebración Artística de las Américas.)
Founder and Artistic Director of El Tambo Logan Phillips introduced the moderator and the speakers. El Tambo began in 2013 and bills itself as Tucson’s legendary dance party without borders. El Tambo loosely translates as “the Drum” and celebrates the cultural remixing that has always taken place here in the borderlands.
University of Arizona Assistant Professor of Mexican American Studies Michelle Téllez moderated this panel of four cumbia musicians from four of the bands who performed at El Tambó Fest, Night One: First-Ever Cumbia Summit of the Borderlands. Gabriel Sullivan from Chicha Dust, Adrian Rodriguez from La Diabla, Cody Lopez from Tohono O’odham cumbia band Native Creed, and Kiko Rodriguez from El Paso’s Frontera Bugalú.
To listen to the panel: Part 1 and Part 2 (in 30 minute segments)
Recorded by KXCI Music Director Duncan Hudson.
Edited and produced by Amanda Shauger.
Click here to watch video about the Cumbia Summit by Arizona Public Media.
Producer/Editor: Andrew Brown
Videographer: Nate Huffman, Mitch Riley
Dr. Michelle Téllez participated in a symposium at the Colegio de Sonora in Hermosillo, México on New Directions in Migration Research after the election of Trump. Visit here to see the livestream of the panel.
Plenary Panel: Institutional Responses to Gender-Based Violence
Location: Student Union, Sonora Room
This discussion will consider how various institutions—including law enforcement,
government, military, and educational institutions—respond to systemic gender-violence, including
sexual assault against migrants crossing the U.S.-Mexico border, the phenomenon of missing and
murdered Indigenous women, campus sexual assault, and sexual harassment and assault amongst Veterans and members of the military.
with Kiera Ladner, Michelle Téllez, Richard Nichollis, Susan Montgomery
In Transit/En tránsito: Arts, Migration, Resistance is an art exhibition accompanied by related events that collectively explore artistic practice, resistance, and social transformation in relation to transnational migration and human rights politics. Anchored in the Sonoran Desert borderlands and drawing on practices from different regions of the US, Mexico, and Central America, In Transit/En tránsito will bring together artists, activists, and academics for a series of cross-disciplinary conversations and collaborations.
Organized by Drs. Kaitlin M. Murphy and Anita Huizar-Hernández, Department of Spanish and Portuguese.
Dr. Téllez reads the names of graduates at the Adalberto and Ana Guerrero Student Center's 33rd Graduation Convocation held at Centennial Hall at the University of Arizona.
